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I use a great many repetitions with variations to make the ambiguities of movement apparent. Exploring the alternate possible meanings of gesture is one of my major concerns. He grew up on the Lower East Side and in Coney Island and graduated from Seward Park High School. Afterwards, he received a BFA from Brooklyn College. They also participated in the . I had discovered that publicly performing my own work placed me in an exceedingly vulnerable position emotionally and physically, and I wanted none of it. I believe now that I was basically uncommitted to my work and unable to take responsibility publicly for my decisions. I had worked mainly for the positive response of my peers and of an audience, not gearing my work towards that response but expecting it as the dividends of having worked. When the audience and my peers turned on me, I picked up my marbles and went home. I just decided to stop making work. From her I found out what it is to be an artist . Then, from working with Trisha Brown in the Grand Union, I learned how to edit, how to boil a thing down to its essence. Jimmy's approach was much more whimsical. MARK PELLINGTON is a filmmaker based in Los Angeles. A native of Baltimore. TV + Series; Start selling; Upload. Staff Picks; Join or log in; Watch; Upload; On. David Gordon (born July 14, 1936. Ain and David Gordon collaborated again on the book and direction for Punch & Judy Get Divorced. Ted Hope Net Worth and valuable HIDDEN assets. TV Movie executive producer. Punch and Judy Get Divorced: 1992: TV Movie producer: Simple Men: 1992. 1992: Punch and Judy Get Divorced: 1997. Mark Pellington at the Internet Movie Database; Mark Pellington Official. Home > Movie Stars > P > Mark Pellington. Punch And Judy Get Divorced for the PBS series Alive TV. Punch and Judy Get Divorced (1992) Age Isn't Everything (1991. Download movie Punch and Judy Get Divorced for free . Punch and Judy Get Divorced (TV film) (1992) Punch and Judy Get Divorced (1992 - film tv) United States of Poetry - miniserie tv; Homicide. EN) Mark Pellington, in Internet Movie Database, IMDb.com. His way of working led you . I thought of it and I kept it, and what came next was what I thought of next. I don't believe Jimmy meant to absolve me of all responsibility for my work, but I got the impression that wild intuitive guessing was all I had to do to make art. I never threw anything away. I remember distinctly Jimmy's saying, . If you can't get to like it, who says you have to like it? There was a great sense of liberation that stemmed from John Cage's championing of this philosophy, and Jimmy, among others, was establishing alternatives to the kind of teaching that had dominated modern- dance composition up until then. Gordon formed the Pick Up Performance Company that year . His work during this period. Ideal mates, ideal opposites, yin and yang, male and female, total communication. In doing so, he utilizes the contents of thrift stores and makes use of mundane materials such as foam core and gaffers tape. Gordon's hand- made score for One Part of The Matter . When she returned, they worked together on the transitions between the poses. Reel (1. 98. 2),Trying Times (1. Many of Gordon's pieces from this period had their premiere at David White's Dance Theater Workshop. Gordon also made work for other companies during this time, including: Grote Ogen (. Murder later became part of David Gordon's Made in USA, a television program commissioned by WNET and Great Performances in 1. Gordon received a Primetime Emmy Award. For the Brooklyn Academy of Music (BAM) in 1. Gordon choreographed Act III, the dance section, of The Photographer, a multi- media piece about Eadweard Muybridge with music by Philip Glass, in which he incorporated Setterfield's earlier solo One Part of the Matter. Also, he directed Renard, a one- act chamber opera- ballet by Igor Stravinsky, for the Spoleto Festival USA in 1. The Mysteries and What's So Funny? It was written, directed and choreographed by Gordon with music again by Philip Glass and visual design by Red Grooms. The script was published in Grove New American Theater. The cast for The Family Business consisted of both Gordons, father and son, and Setterfield. In 1. 99. 4, for the American Repertory Theatre (ART) in Cambridge, Massachusetts and the American Music Theatre Festival (AMTF) in Philadelphia, Gordon directed and choreographed an original musical, Shlemiel the First, adapted by Robert Brustein, from the stories of Isaac Bashevis Singer, and set to traditional klezmer music with new lyrics by Arnold Weinstein. The show also toured throughout Florida and in Stamford, Connecticut, and was re- mounted in 2. Montclair State University's Alexander Kasser Theatre by Peak Performances. This production was re- mounted by Theatre for a New Audience in Manhattan, New York City in late 2. New York University's Skirball Center for the Performing Arts, in association with the National Yiddish Theatre Folksbiene. The piece began in 1. KTCA for their PBS series Alive TV, and had a second life as a dance piece, set to music by Carl Stalling, for Barishnikov's White Oak Dance Project in 1. In 1. 99. 9, the Gordons worked together once more, this time on a musical about women directors in the early days of motion pictures, The First Picture Show, with music by Jeanine Tesori, for ACT in San Francisco and the Mark Taper Forum in Los Angeles. In 2. 00. 0, he was commissioned by ACT to write an adaptation of Kenneth Grahame's The Wind in the Willows, with music by Gina Leishman, which was called Some Kind of Wind in the Willows. This production was workshopped but was never produced. This production received an American Masterpiece Grant from the National Endowment for the Arts Dance Program. In 2. 01. 1 it was revived and performed at Montclair State University in New Jersey, Columbia College in Chicago and the University of Albany, New York. Gordon has also adapted, directed and choreographed a number of classic theatre works: Eug. The piece was workshopped at Cornell University. Luigi Pirandello's Six Characters in Search of an Author, plus two other short pieces by the writer, became the basis of Gordon's Beginning of the End of the.., which played for the month of June 2. Joyce So. Ho, in Manhattan. The piece was part of the series Platform 2. Judson Now, connected to the celebration of the 5. Judson Dance Theater performances. The donation is to be marked by a series of workshop performances called LIVE ARCHIVEOGRAPHY, presented at the library's Bruno Walter Auditorium. Gordon's ideas seem dressed up in opera- house trappings that hang like ill- fitting clothes. The piece was extensively workshopped and performed in San Francisco, at the American Conservatory Theatre, and in Los Angeles at the Mark Taper Forum, which had commissioned the piece. After the success of Shlemiel the First in L. A. Occasionally wonderful and never dull, 'The First Picture Show' lacks a certain urgency in its storytelling. Some years later, in response to a question about whether his career had ever . Rather than highlighting the individual gesture as such, Gordon playfully investigates the ways in which a discreet movement in a dance phrase will change in terms of how we perceive it as a result of the position it occupies in systematically varied choreographic complexes. His works are profound investigations of correspondances and collisions between language and movement, examinations of the creative and performing processes, explorations of structures. They are also enormously likable and often delightfully humorous. Gordon's genius lies both in his choice of dancers, most noticeably his wife and longtime collaborator Valda Setterfield, and in his gestural vocabulary. Also, his use of language underscores the message of his dances, which is that the body's actions and signals, like words, can change their meaning depending on their context. The phrasing of Gordon's movements is uninflected, fluid, tending to slide comfortably through the memory, so that what you want to pay attention to is the very manner in which these particular interesting figures do whatever it is they are doing. His sense of irony has been bouncing off her level, unassuming fa. Since she is always perfectly straight, Gordon's own gift for projecting comic ambiguity in language and movement can shine all the brighter, with an innocence beyond stain. It may be that without Setterfield as chief sounding board and accomplice he would not have developed his double edge at all . He's also the dance world's leading humanist. His work has a warmth, a glow, a wry humor and an all- encompassing love for life. The quirks, foibles and impossible complexities of our urban environment are seen and shown as both invigorating and consoling, frustrating and stimulating. On occasion he has revealed a critical temperament and, in postmodern (or Balanchinian) fashion, an interest in layered allusions. He also husbands themes and effects. No to transformations and magic? But Gordon is the first . It never is just that. In many ways, he is a gleaner of his own work, which he files away with the possibility of revisiting it in the future. But as much as he revives material after recontextualizing it, most fundamental to the vitality of . He is a director who knows dance. And even though there is a bit of everything in his work . Oxford Dictionary of Danced New York: Oxford University Press, 2. ISBN 0- 1. 9- 8. 60. Croce, Arlene. The New Yorker (November 2. Friedman, Lisa. Dial (August 1. Smith, Amanda. But he uses spectacular moments and glamorous touches cunningly, often intensifying them until a gap between the movement relationships and their extravagant theatrical overlay throws the movement into high relief. Dancemagazine (January 1. Reiter, Susan. Being six feet tall and male, I was immediately put into a performance. At the same time I met another young woman from the Theatre Department who got me to go to an audition for Dark of the Moon. Two young men were vying vehemently for the role of the witch boy when I walked in, and the director said to me, . Come up here and read. Remarks made during the . Avonturen van Odysseus by Sofie de Vries on Prezi. Transcript of Avonturen van Odysseus. De kikonen. Op zijn weg terug naar zijn vrouw Penelope in Ithaka komt Odysseus langs het eiland van de Kikonen. Hier komt hij erachter dat deze Kikonen aan de kant van de Trojanen stonden in de tijd van de Trojaanse oorlog, deze oorlog hadden Odysseus en zijn mannen net gewonnen en ze waren hierom ook op weg naar huis. Het feit dat de Kikonen aan de kant van de Trojanen stonden was voor Odysseus reden genoeg om het eiland te verwoesten en de Kikonen te vermoorden. Odysseus wist dat hij deze wijn op zee hard nodig had dus hij besloot deze priester te sparen. Aeolus. Odysseus komt aan op een eiland, waar hij de god Aeolus tegenkomt. Hij verblijft een maand in het paleis van Aeolus en wil daarna weer verder varen. Hij krijgt van Aeolus een zak met daarin alle winden, behalve de westenwind. Hij mag deze zak alleen openmaken als er geen wind is. De mannen zijn erg nieuwsgierig, maar Odysseus laat niks los. Ze denken dat er juwelen in zitten en dat Odysseus dit voor zichzelf wilt houden. Ze openen daarom de zak als Odysseus in slaap is gevallen.
Ze waren bijna bij Ithaka, maar doordat ze de zak open hebben gemaakt zijn ze weer terug bij het eiland van Aeolus. Aeolus is verbaasd om Odysseus terug te zien. Nadat hij hoort hoe er met zijn geschenk is om gegaan stuurt hij Odysseus en zijn mannen meteen het paleis uit. Circe. Aangekomen op het eiland Aneaea stuurt Odysseus een groep mannen op verkenning (deze mannen zaten bij Odysseus op de boot en hebben dus oveeleefd). De mannen blijven erg lang weg, Odysseus wordt ongerust en gaat zelf kijken. Tijdens zijn tocht komt hij de boodschapper van de goden: Hermes, tegen. Herpes waarschuwt hem voor de toverdrank van Circe. Terug naar het Poseidon avontuur: 1979: Engels: Beyond the Poseidon Adventure: Inside the Edge: A Professional Blackjack Adventure. Film anschauen The Poseidon Adventure (1972) kostenlos. Toggle navigation ManiaKinos. Home; Filme; Serien; FAQ; Kontakt; Filme und. Het avontuur van de Poseidon: Belgium (Flemish title) I peripeteia tou Poseidonos. Percy Jackson & The. Hij wordt beschuldigd van het stelen van de bliksemschicht van Zeus. Avontuur; Drama; Thriller; Actie; Verenigde Staten; 6,6 / 25; 7,1 / 32618; 79% / 24; 3,3 / 428. Verenigde Staten De passagiers aan boord van het schip de SS Poseidon vieren ondanks het slechte weer oud- en nieuw. Het avontuur van de Poseidon: Belgium: I peripeteia tou Poseidonos: Greece: L'aventura del Posid. Hij zou namelijk in een beest veranderen als hij dit drinkt. De enige manier om niet te veranderen is om het kruid Moly te eten. Odysseus weet alleen niet of hij Hermes moet vertrouwen omdat Moly giftig is. Hij laat zich uiteindelijk toch overhalen door Hermes en eet het kruid. Bij het paleis van Circe aangekomen, ziet hij allemaal beesten lopen. Hij denkt bij zichzelf dat dit waarschijnlijk mannen waren die zijn veranderd door de toverdrank te drinken. Als Odysseus Circe ontmoet, zegt hij haar dat ze zijn mannen moet vrijlaten. Circe wil hem eerst een drankje aanbieden, maar ze wordt helemaal gek als ze ziet dat het drankje op Odysseus niet werkt. Ze zegt dat ze alle mannen alleen vrij laat als Odysseus met haar naar bed gaat. Hij stemt toe, en alle mannen veranderen weer terug. Odysseus blijft nog een jaar op Aneaea. De sirenen. Sirenen zijn half godinnen. Ze zijn namelijk deel mens en deel gier. Door middel van zingen, lokken ze de zeelui naar hun toe. Vervolgens lopen de schepen op de rotsen en loopt het niet goed af met de zeelui. Circe had Odysseus het advies gegeven om zijn oren dicht te doen als hij langs de Sirenen wilde gaan. Hij heeft bij zijn mannen de oren dicht gemaakt met bijenwas. Odysseus zelf liet zijn oren open en liet zich vastbinden aan de mast. Op deze manier kon hij de Sirenen wel horen, maar er niet op af gaan. Dit is goed gegaan en Odysseus en zijn mannen hebben de trip langs de Sirenen overleefd. Terugkeer op Ithaka. De Lotuseters. Het eiland van de Lotuseters was de volgende bestemming van Odysseus. De Lotuseters, ook wel Lotoseters of Lotophagen genoemd, eten alleen maar lotus. Lotus is een boom met grote bladeren en een behaarde stam, de bladeren van deze stam blijken eetbaar te zijn. Als Odysseus op het eiland aankomt besluit hij drie mannen als verkenners het eiland op te sturen om een kijkje te nemen. Na een hele tijd komen deze mannen niet terug en stuurt Odysseus mannen het eiland op om te kijken wat er met deze verkenners is gebeurd. Het blijkt dat deze verkenners de balderen van een lotusboom hebben gegeten en hierdoor niet meer naar huis willen. Odysseus verbiedt de rest van de bemanning deze . Achteraf zeggen kenners dat deze lotusbladeren de eerste verdovende middelen waren die ontdekt zijn. Scylla en Charybdis. Odysseus en zijn mannen kwamen na de trip langs de Sirenen aan bij een smalle zeeweg. Na een tijdje varen kwamen ze in een grot uit. Vanaf hier moesten ze een belangrijke keus maken. De bemanning en het schip moesten of langs Scylla of langs Charybdis. Twee keuzes die geen van beide fijne gevolgen zouden hebben. Als ze lang Scylla zouden gaan zouden ze zes mensen van de bemanning kwijtraken. Scylla is namelijk een zeskoppig monster. Als ze voor Charybdis zouden kiezen dan heeft Odysseus en het schip kans op zinken, doordat Charybdis een paar keer per dag water inslikt en weer uitspuugt. Uiteindelijk heeft Odysseus besloten om langs Scylla te gaan. Hij wilde liever zes mannen verliezen dan alles. Avonturen van Odysseusdoor: Sofie de Vries. Calijn van Hout. Maureen vd Berg. Shanna Peters. Odysseus en zijn mannen bereiken het eiland van de Laistrygonen nadat ze weg zijn gevaren van Aiolus. Alle schepen leggen aan in de haven, behalve die van Odysseus, hij blijft op een afstandje liggen. De Laistrygonen zijn enorme reuzen en ze zijn erg sterk. Zij zijn de bewoners van dit eiland. Hun leider is Telepylos. De Laistrygonen gooien enorme rotsblokken op de aangelegde schepen. Ze eten de bemanning van de schepen op. Alle schepen zijn vernietigd, behalve die van Odysseus. Hij ontkomt net aan de reuzen en vaart snel verder naar een ander eiland: Aeaea, hier woont de tovenares Circe. De Laistrygonen. Door advies van Circe ging Odysseus naar de onderwereld. Hij ging daar op zoek naar de schim van de blinde ziener Teiresias. Eenmaal binnen in de onderwereld moest Odysseus een kuil graven en drie offers maken. Hij moest een zwarte ram en schaap, een mengsel van honing en melk, zoete wijn en water offeren. Hierover moest hij meel strooien. Ook moest hij geloften afleggen. Veel schimmen kwamen op het bloed af, maar Teiresias moest de eerste zijn die er van drinkt. Uiteindelijk is de voorspelling dat Odysseus en zijn mannen veilig aan zullen komen in Ithaka als ze de koeien van Helios met rust zouden laten. De onderwereld. De cycloop Polyphemos. Het volgende avontuur van Odysseus neemt plaats op het huidige eiland Sicili. Odysseus heeft de twaalf kruiken met wijn meegenomen die hij eerder heeft gekregen mee als geschenk voor de bewoners van dit eiland. Doorat hij deze geschenken heeft meegenomen beginnen zijn mannen al snel aan de kaas te eten, ze denken dat het wel mag als ze hun geschenken er later voor terug geven. Na een lange tijd wachten komt er opeen een enorme cycloop de grot inlopen, hij neemt de kruiken niet aan en eet een paar mannen op. In totaal vier per dag, twee in de ochtend en twee in de avond. Odysseus besluit een list te verzinnen: hij schenkt de cycloop zijn wijn en de cycloop valt in een diepe slaap. De bemanning steekt een speer in zijn oog en hij wordt verblind. Odysseus weet dat hij dat hij nog niet weg is omdat de grot gesloten wordt door een grote steen. Elke ochtend laat de cycloop zijn schapen naar buiten. Odysseus beveelt zijn mannen onder de schapen te hangen en op die manier naar buiten te komen. Op die manier komen ze buiten. Als alle mannen eenmaal op het schip zijn roept Odysseus naar de cycloop dat ze ontsnapt zijn, de cycloop gooit een grote steen die het schip net mist. Odysseus kan het ook niet laten om nog eens te roepen dat hij de cycloop graag had gedood, nog een steen die het schip net niet raakt. Ook vraagt de cycloop aan Poseidon of hij de terugreis van Odysseus naar Ithaka nog iets moeilijker wil maken. Helios. Odysseus komt aan op Thrinakia, het huidige Sicili. Odysseus had dit eiland liever gemeden, gezien de waarschuwingen van Teiresias en Circe. Het begint te stormen en nu is Odysseus verplicht om op het eiland te blijven. De mannen hadden gezworen om van de runderen af te blijven, maar het voedsel raakte op dus ze slachtten ze alsnog. Odysseus is heel boos en verteld ze dat ze hun straf nog zouden krijgen. Toen ze weer gingen varen werd het schip geraakt door de bliksemschicht van Zeus, iedereen verdronk behalve Odysseus. Kalypso. Odysseus drijft aan op het mysterieuze eiland Ogygia, waar de godin Kalypso met nog een aantal andere vrouwen woont. Kalypso wil Odysseus overhalen om op het eiland te blijven door hem onsterfelijk en eeuwig jong te maken, maar Odysseus weigert. Kalypso neemt Odysseus zijn gevoel van tijd af zodat hij denkt dat hij maar zeven dagen op het eiland zat maar hij zat er eigenlijk zeven jaar. Na zeven jaar haalt Athena Zeus over om Hermes naar Kalypso te sturen, die hem beveelt Odysseus te laten gaan. De Faiaken. Poseidon zorgt schipbreuk en de zee nimf brengt Odysseus naar het eiland Faiaken, maar alleen als hij naakt het water in ging op de hoofddoek na. Als hij aanspoelt rust hij uit in de bosjes. Athena zegt in een droom tegen Nausika. Odysseus komt uit de bosjes, de dienaressen rennen weg behalve Nausika. Odysseus wordt gewassen en daarna wijst ze hem de weg naar de stad. In de stad smeekt Odysseus Arete om hem naar huis te laten gaan. Omdat ze dachten dat Odysseus een god was lieten ze dit toe. |
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